The Vast Wasteland
Thursday, October 20th, 2005
A couple of days ago (yeah, I’m slow, shut up) BoingBoing did a post about a speech given by Edward R. Murrow (who’s very hip right now due to the George Clooney/David Strathairn movie about him, and hip is very important to BoingBoing) to the Radio-Television News Directors Association in 1958.
What he had to say has become a pretty standard loop over that past fifty years — TV is a bland, shallow swill-pit, and it ignores dire problems of our society, yada yada yada — but here’s the part that caught my eye:
I invite your attention to the television schedules of all networks between the hours of 8 and 11 p.m., Eastern Time. Here you will find only fleeting and spasmodic reference to the fact that this nation is in mortal danger. There are, it is true, occasional informative programs presented in that intellectual ghetto on Sunday afternoons. But during the daily peak viewing periods, television in the main insulates us from the realities of the world in which we live.
That made me curious as to exactly what the TV schedules of the day looked like, and it occurred to me that I new exactly where to look: my dog-eared copy of The Complete Directory to Prime Time Network TV Shows 1946-Present, 1992 (pre-Internet edition).
I decided to scan in the schedule, so everybody could take a look, and I did both 1957 and 1958, since the previous year’s programming was obviously also a factor in his remarks.
So check it out: In addition to the common-knowledge stuff (“Donna Reed”, “The Rifleman”), you can find lots of now-obscure programming like Behind Closed Doors (a fact-based Naval Intelligence drama), Harbourmaster (about a crime-solving sailboat skipper!), and Turn of Fate, (later named “Alcoa Theatre”, which had such stars as Jack Lemmon and David Niven as regular star players).
In fact, a great deal of the TV schedule at that time was comprised of such anthology shows, game shows, and variety shows, with the rest of the time taken up with cop shows, westerns, and shows testing out the fledgling “situation comedy” format.
In all, the network fare of that time period doesn’t look much more shallow than what we’ve got now, and in some ways it looks better — at least they didn’t have a dozen clones of Law & Order.
Seriously, though: Go take a look at the schedule, and see what pops out at you. Information about most of the shows is available on IMDB.
Then go watch Apprentice: Martha Stewart or Freddie or The O.C., and tell me if you think we’ve come very far.
Lost has always made good — if sparing — use of songs, but this past episode and the season 2 premiere just blew me away with their opening scenes, set to songs playing on the ancient phonograph.
Only in Texas:
The
I’m finally to the point where I’m going to start doing something I’ve been promising myself I’d get around to for years now: Getting serious about getting back into music.
I’ve 
